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DESCRIPTION

A series of fine art prints re-imaged using Ai and a new art technique that enhances textural content to provide the very best quality and detail fiound in the original. Fine Art prints of this type have maintained enduring popularity throughout history due to their ability to evoke emotion, challenge perceptions, and provide a window into the human experience.


THE ART

Fine Art has a universal language that transcends cultural boundaries, allowing people  to connect with and appreciate beauty and meaning and it has the power to inspire, provoke thought, and foster creativity. Moreover, the art world continuously evolves, with emerging artists pushing boundaries and redefining artistic norms, ensuring that the appeal and relevance of general fine art persist in the modern era.

 

ADDITIONAL INFO

Fine art has long been recognized as a valuable and collectible asset, with its investment potential often tied to factors like artist reputation, rarity, and the uniqueness of each piece. Artworks with low print runs or, in the case of paintings and sculptures, singular creations, are particularly sought after by collectors and investors. The scarcity of such pieces can significantly enhance their desirability and value over time. As the supply remains limited, the demand for these unique or rare works of art tends to grow, making them attractive investments. Additionally, art has a historical track record of holding and even appreciating in value, making it a compelling choice for those looking to diversify their investment portfolios while also enjoying the aesthetic and cultural enrichment it brings.

 

INVESTMENT RATING

High. IVR. (Increase in Value). Assured rate increase per annum : 5-12%

 

Iologies.com. Cat No: PRI-P1_205

Why Can't We Be Lovers

£163.00Price
  • Ai reimaged art piece then reformatted for high resolution onto an electronic canvas. Original scale equal to at least 1m (unframed) with approx 12-25mm border.

    Prints: 170-200 gsm. Uncoated Art Paper / Silk. See Limited Editions.

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